BY : Dr ... Mohammaed Naser KHawalde .

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First - that it is difficult for the radio station that dated from the written word, because the words on the tongue, and hear the Adhan key factors in shaping any radio station on the fact Ksmadtha features and accuracy of tone and truth or falsity!

Secondly - that the more difficult that in the process of documenting the anthem or a song or a song or cut music through the character written a substitute for recording voice audio which is the translation of poetry and emotional filled container floor and reflect the style, performance and the composition and everything in it out of tune or music distribution.

Thirdly - and a considerable degree of bitterness and sorrow, that the most difficult of all reported that much of the sound documents of the Voice of Palestine, and before the Voice of the storm - has been lost under conditions that leave frequently and move the radio from place to place without being given the opportunity or time limit enable the transfer of assets or at least the most important documents the recorded voice now dispersed in more than one point one would hardly know anything about the fate or what became of it?

I want to applaud, "Anthem" from Radio Storm - the Voice of Palestine - that the function of sensory profound parallel in value, impact and influence with his political struggle tactical; which we believe to be Aloojb in the task of Radio Revolution - such as the Voice of Palestine - have shouldered a certain amount of revolutionary action of the masses lies between "organized" and "delivered" a duty "packaging", and this duty he would get a permanent front sight and Besairna and we open every day, our radio slogan known and almost to be preserved or etched in the cells of our thinking:

"This Voice of Palestine, the voice of the Palestinian revolution, greeting you and meeting you, again reign with you to continue the march of the revolution: the word honest, the mouthpiece of the shot of courage, and the public Arab packed and organized and armed, and the Revolutionary War and long-term method, and the armed struggle and means, until the liberation of Palestine, all Palestine. "

And the right and truth, it has been touching concern for such tactical anthem Palestinian stems from the sense of working close to the psychological and mental Todat where our fans through "Guerilla" is itself a case packed with as much as it is filled as much as she prepared for more of the filling, I mean to note here that our Palestinian and Arab public was helping to an extent unknown in the investigation and the duty to work for workers by radio, but, as said Fouad Yassin, the first director of Radio: ... ... In many cases, Tabina as provided to us suggestions inspirational or situations and facts Reclining on a substitute for the most fertile fantasies.

In the process engaged in exchange and interaction in their actions and responses, in the introductions and the results were generated "anthem" of the Palestinian womb radio, starting with the owner of the text - the poet - who reads the event and have known and astounded by and interacts with him and then will inspire and respond to Fitrgmeh words paid to the owner Tune - Artist - the strain itself is the other in living in the text and emotion, by and interact with him and then inspired by and respond to even get it out in the rhythm in tune with the pulse of the floor and in line with the performance of the group who are struggling themselves, their role in the access tone at the hearing recipient and his mind and feelings, easy and clearly justified and facilitated the assimilation away from all the alienation or the complexity of the sound or melody or decoration in the flashier performance in order to render the response to the recipient of the content in the highest degree possible.

For this was the adoption of five fundamental qualities in each song, or pay tribute to a musical or cut must be made available when not able to pass through the small transducer, the radio if I miss one of them:

First: The clarity of the text with meaning, and the building (to the idea and the word).

Second: a collective performance.

Thirdly: the speed of force.

IV: Ease of melody.

Fifth: adjacent public event and follow-up event.

On the one hand the text is clear in its meaning and its building were very keen to ensure that the anthem's words as his thoughts on all the ease and simplicity, so I have Tuana our goal of vocabulary was difficult to include text poetry, how can it if it guaranteed anthem composer?!

* Examples include the word "Kalashnikov" has Rodha Mohammad Hasib commend the judge has had a significant impact in the ears of combatants and their minds, and the public around them:

"AK" acetic Rsask in higher

We have no fear in the length of what Rsask higher

In the eye of sweet and Rashidiya in Nahr al-Bared and Nabatiyah

Units and Maghazi and Bureij and Yarmouk Ein al-Sultan and Bubbly

* The word "Zionism" Another example:

The Palestinian people, the Zionist revolution, a revolution

Took his weapon, and began their struggle Take my revolution and give me the

Take my blood and Hattie victories

* We were also keen in the anthem that includes the words, which is on the tongues of the public vocabulary or expressions, such as the word "Nchamp" and have your content in the popular mind:

Oh Nchamp Shilo freed her from the intruder Shell

And the country what our satisfied by alternative

* Like the expression "Oh God is alive":

This aggravated the people of death commando sacrifice

The missed us one martyr keep in place Meh

* In many cases, the anthem is a statement or function of organizational design, such as:

O my people, I grew up the revolutions grown and we are Thoarha

In the villages and towns from sea to Nehrha

O people, O our people, O our people Atnzmwa

House, the ones who knock our duty Namr

The child that killed his father and a duty we Nhoudno

O mother of the martyr and all young people Zgrti Oledki

O sister of the prisoner Atmurde death and humiliation

God is alive and rebellious sister, God is alive and forbearing mother

And we who choose the place and we define the time

Our words with our actions p Kovva our souls

And that our children are dead Bikmiloa Emczuarna

* At other times, the anthem is the function of political commentary, such as:

I do not us not us who never compromise on home

Who negotiate and not to reconcile and who challenged the back of combat

I do not us ...

I do not us nor our nation who Iedekke our revolution

Who antagonize dawn we made and who hates the sound Mdfna

Who saw and rode it out on the unanimous agreement

I do not us ...

Not from us nor is it our band who are commonly explained

Who divides side of the revolution and unity in his heart who anthrax

Who traded the blood of Althaer and who migrate and who copes

And who walks up the treacherous

I do not us ...

Q: The songs were mostly faithful translation of the premises and basic principles of the revolution always comes to reinforce in the mind of the listener meanings that contains news or analysis or commentary, such as:

This revolution, this trained

War of the masses all fans fight

Our case is resolved Gaer Almartin

Let's organize, and equip you, our people and our people and fought my Tnata

And the absence Almartin taut enemy with open arms

Collection of the trigger

We caused a revolution in the five and sixty

Revolution the students and workers and peasants

It is the same like for example also:

These are a popular revolution, Arab popular

I do not ever not an Arab an Arab who revolutionized popular Bitan

And who Bajrami Thistle Bderbe

* In the same format in the definition of a deeper revolution is another example:

These are the revolution to millions of years of injustice to me drank

Starved me for me been lost to me for me Ario Altaao

Of orphans to the bereaved me injustice market Atbaawa

Lee lived in tents humiliation carried me all the injustice

Lee took up the wound and revolted me and walked over hot coals

Endowed me, for me to Bois me your name and my name louder

Protect Revolution Protect my blood brothers

Knapp and break a peaceful solution "O brothers

Have been able to brother Abu Hisham in this text that makes a revolutionary statement in all dimensions of the revolution and prospects for all its revolutionary rule, and all of its projections was spontaneous in suffering and cohabitation, which erupt from the depths people's revolution.

He says the first director of the Palestinian Radio in Cairo Fouad Yassin:

.... At any rate, it has been "language" we are following in the language anthem are close to heart of the Palestinian Arab street, which we are trying to reach the particles near their daily lives or tools that are accessible to household uses.

I speak the language of poetry in the third, something other than the colloquial and to him and aroused and Mooel Alaqraoi and others, it is the language that translates the meaning emotional speeches are familiar with the tongue Palestinian confirmation of the stick within the meaning of conformity and not behind the word wrought .*

The term "Almartin" for example is not a literal translation of the word "guns" and like the word "detection" is "not a translation of the word" lead "and like the word" color and "and" Krotp Supply "It is not a substitute for the ration cards in translation, but is an expression also potentially psychological diminished about it all verbal communications.

This represented all of the words spoken on the lips of the Palestinian street lexicon of popular songs included in the texts of the storm. It does not represent a tendency to local or regional departure from the line in the national language as much as they record the heritage of popular overwhelmed by psychological factors on all other aspects of verbal.

And will go on us to talk about these songs and analysis of texts and clarify the circumstances of their formulation, which does in fact be moved to a Study of a special working by a specialist or more, can penetrate the secrets of these texts and Istgele they included connotations it had in the time of impact and influence both among insurgent groups or groups of masses .

Perhaps one of the duty to refer here to try the kind pioneered by Brother Haseeb judge when he gathered a number of these texts in his book titled "Song of the gun men" and making next to each text, including musical notation which helps interested in his playing or recording.

But I apologize if not met, all those who contributed in these texts their moral rights in the least. Although it will not be absent from my memory those moments coined the Salah Al-Husseini:

Give me the bag and gun has increased three days and three mines

Atalgueni student and I do not accompany me

Protect me back my brother Aidan and abandon evil haunted me

I also wish to register for his brother Abu Hisham, which has become an anthem in time for adults and children of our friends and allies is:

I believe my brother-consuming and people aside with

And carried Rchache generations after us to carry sickle

Wounded, and made it easy for الدما and valleys of the agenda

Religion you our blood and religion, the right not to be delayed

Do not forget the words of Mourid made anthem Rawa combines poetry and beauty of the melody:

We come to you, O we come to you a national

If you found us duration Wind breeze

Above the ground over the sea runs

The dead do not revert from your eyes

But I revert to your eyes

Hmsna at the root of my national transplant

You are solely the Covenant

Nrda love and children born

And not liable to impair their scramble to land, family, or do not reduce

Boy comes Izfarh passion and existence,

After the boy and after the boy and after the boy

Via our enemies enemy.

What I have said of the texts, for example, is only a small part of of an overwhelming other texts worth recording also deserves appreciation for the owners who have given up the greatest give up artist for the rights of a right advertising and publicity, and the same musicians, composers, artists and others.

Says Fouad Yassin, the first director of Radio: (... was Talaiahm Professor Abdel-Azim Muhammad. I have on my duty to record his special appreciation of what He gave and his mind and his sense of art and happy to be satisfactory in the work of Khaldat did not wait behind them sanction nor thanks did not hesitate a moment in denial itself and his name is the most expensive sacrifice that may never by the artist and like those traditionally footsteps remind good Badrkhan, Mehdi Sardanah and Ahmed Sharif, and Ibrahim welcomed Abdul Hamid Tawfiq Zaki Kanaan, descriptive and Riad Bandak Taha Elageel and Sabri Mahmoud Abdel-Moneim al-Hariri can not forget the top of the list musician artist Ali Ismael, who put music immortal words of Abu Hisham creative "commando").

Radio:

Within the limits of my knowledge of labor affairs radio - academic, political experience - I can say, with confidence, reassuring, the Voice of the storm was characterized since its inception on other radio stations as other loose .. Loose from all constraints defined by the oversight bodies, loose of all barriers, which are manufactured tools Checksum, loose of all contraband produced by the Kitchen politics. Loose from all this and more, but of its commitment to close the masses of the revolution and their aspirations and objectives. Because of this commitment (the Voice of the storm were required to be truthful and honest expression of the pulse of the public and the beating hearts and all of Khaljp Khaljadtha and make this public as much as requested by the seriousness and honesty, simplicity and clarity). * Fouad Yaseen

Because of this commitment, was the voice of the storm that always claim not to propitiate the right not to conceal the truth, and not subject to pressure, and fear of blame. He also says Fouad Yaseen: .... It was all our programs and our comments that is written and revealing a few thoughts and the will of a free Palestinian exclusively under the programs of the revolution and its principles and basic concepts of literature, and which stemmed from the deep sense of public and started from the cave the national territory. Never once to contradict what she said her books with any of these principles, ethics and approaches and programs revolutionary.

The radio station had this - and distance of time - far from the minimum of interference from the countries that opened its doors to host for so what. He says Fouad Yaseen: (... I remember as I recall, we yielded in one of our comment reflects the view of the Palestinian pure were not fully correspond to the point of view of the state in the Host Country. On the second day me and the Information Minister in that State and tried to suggest that he was not happy with the program that aired on the above and ensure that point of view not in accordance with the guidelines of state policy, and that - and all etiquette - He wants to be a coordinator between what we say in our radio, and said in a radio official.

Despite the innocence of purpose and good faith that seemed to me through the words of Mr. Minister, Hztiz have realized that this is the beginning of the series does not end when it was made the first link. Begins the issue of coordination, and end to containment. I have found myself asking at the moment, more than any other moment of the obligation.

Having listened to the words of the minister even Mentha, I told him: "I know exactly the importance of what I have heard, gravity, but I also know that you have the number of radio stations and radio programs that reflect your policy official, covering the part of non-small waveguide. As for this radio It is the Palestinian voice that reflects the will of the Palestinian people in the policy drawn by the Palestinian revolution, and also want the Palestinian public (and deliberately Reclining focus on "Palestinian") and if you want - you, Mr. Minister - that you will publish the list of Imaatkm official another one as the backdrop, what you want, and these keys our radio between your hands, and peace be upon you. "

Here rose the Minister of Information tactfully tight and said: "Is not .. .. this is not what I meant to, but Cnama I wanted to point out the necessity that there should be harmony between what we say and what you say, and if those Izaajkm or Idaigkm .. not good ". And ended up talking. And we had already what we want .. But until! * (End quote).

I went to the registration of this incident - no other incidents similar - to point out that attempts at containment were repeated and recite sometimes under the guise of coordination, and sometimes under the cover of understanding and harmony, and sometimes under the title of incubation and compassion, but they all eventually converge at the point of imposition of trusteeship on this wild horse and rein in and control his movement and control of the Zilh as possible to that way.

The Palestinian voice heard across the waves floating in the ether, is the embodiment of the expression of Palestinian self, which has been locked for years denied that the advertising, and denied it to breathe, how then is the Declaration has become, an outlet?

The Tama We used to say, and we and increase, that the occupation of land at risk and tragedy, but the occupation will rain, a disaster, but it is most severe and most severe of the occupation of the land, so that the people who are home to the occupation, and retains his own will is free, will be able days of the liberation of their land will inevitably If the time of his will in the grip of the occupation has ended all, there is no room.

Did not start all that is written or said by the Voice of the storm only reared in the question of Palestine - the land and people - and a sense of sincere public dimensions of this issue and depths, and conscious of the revolutionary vision and prospects of the vast ramifications in the folds of the future.

Thus, there was no interference with and lots of differences on the Arab arena or conflicts, but to the extent that this or that is a reflection of the Palestinian cause on a page without any fabricate, and without the slightest intrusion or quibble.And the right and truth together, that was not easy. And adds Fouad Yassin, saying: As we had to move the pens on paper in our hands so cautious moves Guerilla step through the minefield to the ground, and perhaps even our sense of responsibility for what we say no less than sense of the seriousness of what he does.

It has always been confirmed in the articles that focus on "Palestinian issue", and to devote the "image of the Palestinian" and adhere to the "name of Palestine" and "the Palestinian identity," At this stage of the Palestinian people's struggle is far from thinking of the country or delinquency levels, but it is a focus on the center of conflict between the Arab nation living on the one hand, and the enemy aggressor greedy and have more control over its resources on the other hand ..*

Radio has always talked about national security, and has talked about the organic link and fateful structure that holds this nation on the Gulf Ahmadi to Casablanca on the Ocean. Has long tried, so I've about to succeed in persuading the fact that Arab threat to his fate and destiny and Okdarh and future generations as a result of the attack waves that are exposed at that time part of the homeland, but later threaten the rest of the country as a whole. And the right and real, it was a human response to the Arab-time positive understanding and assimilation and tender to the extent that the circumstances of this man open a port fairway towards any understanding and tender. For a long hesitation premises of the Palestinian revolution: the face of this revolution Palestinian, Arab heart. Palestinian revolution and that this in mind, Arab depth. That this revolution first Palestinian, Arab Stretch. And to all that the meanings of the very clear and simple.But all this was not accompanied by the voice of the storm remain at large in the arena, away from the harassment of influence and interference, direct or indirect.

The summer of 1970, was a hot summer, came the events and attitudes hotter. The place is not here or listed or detailed in history, but it was events and take positions in the sum of the operational translation of the recent decision of the history of the region under 242, as Lord Caradon a British policy-makers. British policy, which first made tragedy of our people at home since extended its mandate over the control over the nearly thirty years, during which Ondjt "broth Zionism." The Caradon finally to put the completion point in the sentence of Palestine, he put the language of resolution 242, which is detailed in its entirety and jump over the wide range of rights of Palestinians, to the extent that it is ready to jump over the rights of the Arab later ..

We reject that decision, and resisted by some, and before some of this on the Arab side and rejected by others, and the rest stayed in the home: I do not accept, not rejected, as it is about to become a reality: no more war .. No peace. It has been said of the Palestinians in some time: your right to reject Resolution 242 and you Your justifications in this rejection, or objection to your position. However, when it began to reject entry into resistance, especially after the launch, Minister for Foreign Affairs of the United States of America at the time, William Rogers, his known and which is the American understanding of the formulation of the English text, which is a practical translation of the plan Zionism, which seeks to win the stage to transform the conflict in the region just the conflict on the border and not a struggle for existence! .

When he entered into the Palestinian rejection of resistance, the incident took place .. and The engagement was initiated, not on the ground, but also on the airwaves. The tenacity Palestinian clash in defense of the land, and the protection of freedom of the will. For one reason or another, including the reason for this tenacity of spare transmission, and closed the Voice of the storm, and was prevented from broadcasting on the eve of the twenty-eighth day of the month of July 1970.

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