KV15, the Tomb of Seti II in the Valley of the Kings
KV15, the tomb of Seti II, has been known since antiquity and must have lied open during most of the classical period, judging from the 59 Greek and Latin graffiti found on its walls. The tomb was investigated superficially by Pococke, along with others who followed after him. However, it was Howard Carter who cleared most of the tomb between 1903 and 1904, though apparently the ritual well was never excavated. One may find the entrance to KV15, rather than having steps cut below a retaining wall, directly quarried into the base of an almost vertical cliff face at the head of the wadi running south west from the main Valley of the Kings on the West Bank at Luxor (ancient Thebes). However, at present the tomb has been temporarily closed to allow the installation of new flooring, hand rails and lighting. It is expected to soon.
The history of the tomb is really unknown at this time. It is very likely that Seti II may have originally been buried with his wife, Tausret, in her tomb and later moved to this tomb which appears to have been hastily and incompletely finished, by Sethnakht (Setakht). In fact, the tomb may have originally been started for Seti II but the work interrupted at some point. This may have had to do with the reign of Amenmeses, if that king ruled concurrently with Seti II rather than before him. It appears that within the tomb, Seti's name was carved, erased, and then carved out once again. The erasure may be attributable to Amenmeses, or possibly to Saptah. It has been suggested that his wife Tausert then had her husband's name restored.
The tomb, which takes a Northwest to Southeast axis, consists of a short entryway corridor followed by three long corridors in turn followed by a well room. The well room then communicates with a four pillared hall and then a makeshift burial chamber, formed from what would have been another corridor, where the king's sarcophagus was located.
This tomb is literally a straight shot leading 75.38 meters into the cliff face with only a mild descent for the most part leading about 6.53 meters deep, and with no lateral rooms. However, a rectangular niche on the right side of the pillared hall may mark the location where the usual annex would have been cut. Missing also is the high trapezoidal niches often found at the beginning of the third corridor.
Much of the painted decoration is intact and the plaster appears to be relatively stable. None of the well-preserved relief was ever painted. Breaks in the surface of the walls have recently been filled in by Antiquities Inspectorate restorers. Due to the hurried completion of the tomb, decorations in clearly take two forms. While those in the initial part of the tomb are well formed using both sunk and raised reliefs, they give way to less accomplished work executed in paint only deeper within the tomb, with the four pillared hall being the only exception. There, the decorations again revert to sunk reliefs, though paint was not always applied. In some of the deepest corridors, only preliminary sketches were made on the plaster surface. Throughout the tomb, even including the first corridor where we find the raised and sunk reliefs, there are stylistic differences within the craftsmanship of the work that might suggest the use of different artisans.
While the tomb may have been unfinished, unusually, the walls of the entrance were carefully smoothed and covered with a layer of white plaster, as elsewhere within the tomb. However, no decorative theme was applied to the entrance and entrance corridor walls.
